查尔斯•罗森（Charles Rosen，1927—2012） 近半个世纪以来影响力最大的音乐学者之一，他的研究重点主要是古典风格音乐与早期浪漫派音乐，相关著作有举世闻名的《古典风格》与《浪漫一代》等。与此同时，他的著作涉猎十分广泛，从早期巴洛克作曲家，直到勋伯格和卡特等至今许多人仍然无法理解的20世纪作曲家，以及基本音乐哲学理论都有涵盖，且都获得了卓著的成果，其它代表著作包括《奏鸣曲式》《意义的边界》《贝多芬的钢琴奏鸣曲》《音乐与情感》《批判性娱乐》《自由与艺术》等。

For this updated edition of her acclaimed work on historians and the writing of history, Gertrude Himmelfarb adds four insightful and provocative essays dealing with changes in the discipline over the past twenty years. In examining the effects of postmodernism, the illusions of cosmopolitanism, A. J. P. Taylor and revisionism, and Francis Fukuyama's "end of history," Himmelfar...(展开全部)

Bringing together authors from two intellectual traditions that have, so far, generally developed independently of one another – critical theory and new materialism – this book addresses the fundamental differences and potential connections that exist between these two schools of thought. With a focus on some of the most pressing questions of contemporary philosophy and social ...(展开全部)

Bringing together authors from two intellectual traditions that have, so far, generally developed independently of one another – critical theory and new materialism – this book addresses the fundamental differences and potential connections that exist between these two schools of thought. With a focus on some of the most pressing questions of contemporary philosophy and social ...(展开全部)

About the Book By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Ching-chih terms "New Music." With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighte...(展开全部)

By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Ching-chih terms "New Music." With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth-, nineteen...(展开全部)

At the close of the 1980s, the independent contributions of Yann Brenier, Mike Cullen and John Mather launched a revolution in the venerable field of optimal transport founded by G. Monge in the 18th century, which has made breathtaking forays into various other domains of mathematics ever since. The author presents a broad overview of this area, supplying complete and self-con...(展开全部)

佩里•安德森（Perry Anderson，1938— ）历史社会学家、思想史家，美国加州大学洛杉矶分校历史系和社会学系教授，主持《新左派评论》达20年之久，发表了大量著述，代表作有《从古代到封建主义的过渡》、《绝对主义国家的系谱》等。被文化批评家泰勒•伊格尔顿 (Terry Eagleton) 誉为“不列颠最杰出的马克思主义知识分子”。

佩里•安德森（Perry Anderson，1938— ）历史社会学家、思想史家，美国加州大学洛杉矶分校历史系和社会学系教授，主持《新左派评论》达20年之久，发表了大量著述，代表作有《从古代到封建主义的过渡》、《绝对主义国家的系谱》等。被文化批评家泰勒•伊格尔顿 (Terry Eagleton) 誉为“不列颠最杰出的马克思主义知识分子”。

Stories Old and New is the first complete translation of Feng Menglong's Gujin xiaoshuo (also known as Yushi mingyan, Illustrious Words to Instruct the World), a collection of 40 short stories first published in 1620 in China. This is considered the best of Feng's three such collections and was a pivotal work in the development of vernacular fiction. The stories are valuable as...(展开全部)